Showing posts with label justice. Show all posts
Showing posts with label justice. Show all posts

Thursday, 22 November 2012

WHY I BECAME A WRITER - 14 author blog hop!



Today, 14 professional writers with blogs have gotten together to write the same post “Why I Became a Writer.” Please stop by any or all of their blogs to comment and find out what drives us in our favorite obsession.

John Brantingham and Sunny Frazier http://johnbrantingham.blogspot.com
Marta Chausee http://martachausee.blogspot.com
John Daniel http://johnmdaniel.blogspot.com
Cora Ramos http://coraramos-cora.blogspot.com
Melodie Campbell http://funnygirlmelodie.blogspot.com
Chris Swinney http://clswinney.com
Carole Avila  http://caroleavilablog.wordpress.com 

Why did I become a Mystery Writer?  It’s the Maze.

A horrible crime occurs.  Murder most foul.  The police are stumped, and it looks like the criminal will get away with it.  Then along comes an amateur detective who follows a set of clues, and with supreme logic, solves the mystery.  Justice is served.

I want to say I write mysteries and suspense because of a deep-seeded need to see justice done in the world.  I really want to say that.  But it’s not true.

I love to read and write mysteries because they are clever.  They invite me to use my brain.  Who is the killer?  Can I come to the same conclusion as the detective, at the same time, following the same trail of clues?

Traditional mystery novels are like a chess game.  In writing the novel A Purse to Die For, I discovered that mysteries must be plotted carefully, strategically.  It is a convention of mystery writing that the reader receives the information at the same time as the detective.  Anything else is considered cheating. Clues must lead to the solving of the crime.  The reader must be able to go back and see the trail, once he/she has finished reading the ending.  But the ending can’t be too obvious – that’s no fun.  So it’s the clever mix of laying several trails like those of a maze that intrigues me as both a writer and reader.  The trick: only one leads to the fateful conclusion.

A good mystery with a bang-up ending – logical, but original – gives me a kick like no other book.  I marvel at the cleverness of the author.  In short mystery fiction, I devour that twist at the end.  In my own fiction, you can count on an unexpected ending.  

I love the wonderful delight that comes from stumping the reader…in making them say “Ah! Didn’t see that coming.”  I’ve given them a challenge, and hopefully at the end, a smile.  There is no greater high.

Melodie Campbell is the author of 40 short stories and three novels, including the classic Agatha Christie-style mystery A Purse to Die For, co-authored with Cynthia St-Pierre.  She has won 6 awards for short fiction, and was a finalist for both the 2012 Derringer Awards and the Arthur Ellis Awards.

A PURSE TO DIE FOR
The victim wore haute couture…
When fashionista and television celeb Gina Monroe goes home to attend the funeral of her late grandmother, the last thing she expects to encounter is murder.  Who is the dead woman in the woods behind the family home?  And why is she dressed in Milano designer clothes?

“Fast, funny, furious. A great read and proof once again that Canadian crimewriters are among the best in the world.”  Janet Kellough, author of Sowing Poison
Ebook and paperback available on Amazon.com, Amazon.ca, Amazon.uk and European Amazon sites.


 

Monday, 25 June 2012

Don’t Lecture - Entertain Me!

The other day, an American interviewer challenged me about the purpose of fiction; should it always contain a moral message?  Specifically, should crime fiction?

My instant answer:  No No No!  The purpose of crime fiction should be to Entertain, and nothing should come before that.

Why?  We have countless other venues that preach morality. Religions seek to teach us how to behave.  Every day we are bombarded by newspapers, radio and other nonfiction outlets, that expose us to the ‘evil’ of greedy politicians, nasty world despots and out of control celebrities. 

If fiction – and crime fiction in particular – was required to follow a moral code, we would miss so much.  If the good guy always won – if the bad guy always got caught – wouldn’t that make crime fiction lamentably predictable?

Does that mean crime fiction can’t teach us something?  Of course it can!  Put me in the mind of a serial killer for a few hours.  Let me know what it feels like to experience the overwhelming greed of a con artist.  Dress me up as a torch singer, with a black heart and a gun in her stocking.

Let me discover something about how other people think, if only for a little while.  But above all else, entertain me.  Don’t preach at me, even from a distance.  I don’t want it from my fiction.

Just tell me a damn good story, thank you.  Take me out of the real world for a few hours.

That’s the purpose of crime fiction.