Showing posts with label Kindle. Show all posts
Showing posts with label Kindle. Show all posts

Thursday, 4 October 2018

Why I Chose a Traditional publisher


by Melodie Campbell (Bad Girl) 

Students often ask me why I don’t self-publish. 
I try to slip by the fact that I was a babe when dinosaurs roamed the earth.
Meaning, I was writing long before self-publishing on Amazon and Nook etc. had even become an option.

Having a publisher and agent before self-publishing was a 'thing' has certainly made a difference, I'm sure.  But now we have a choice. 

Why do I still stay with a traditional publisher?

Gateway Endorsement

There’s no getting away from this:  a traditional publisher, no matter how small, is investing THEIR money to produce YOUR book.  They believe in your book so much that they are willing to risk their own money to see it published.

What’s more, readers know this.  They know that if your book has a publisher, then it has gone through a gateway of sorts.  Someone in the business who knows about the book trade – someone other than the writer - has determined that this book is worthy of being published.

They believe in your book.  That’s a huge endorsement.

You may believe in your book.  I hope you do.  And you may decide to self-publish it.  That’s your choice.  And it may be just as good as any book that is released from a traditional publisher. 

But the reader doesn’t know that.  Further, they don’t know if you’ve already sent the book to a dozen publishers and had it rejected.  In many cases, they assume you’ve done just that.  They assume that no publisher  wanted it.  Therefore, they figure they are taking a risk if they buy your book.  And most readers don’t want to take risks with their money.  (Some will, bless them.  We love those 
readers.)

Distribution and Promotion

Traditional publishers – particularly large or mid-size ones – get your books into national bookstore chains.  They will also include your book in their catalogue to the big buyers, create sales info sheets for your book, and perhaps buy ads.  They arrange for industry reviews.  We authors complain they don’t do enough promotion.  But they certainly do these things that we can’t do.

We, as authors, can’t access the same distribution networks.  We can’t easily (if at all) reach the prominent industry reviewers like Library Journal and Booklist. 

And then there’s the whole problem of bookstores insisting on publishers accepting returns.  So if your book doesn’t sell, your publisher has to pay the bookstore back the wholesale price they paid for the book.  Independent authors can’t work that way.  We authors would go broke if we had to return money to every bookstore that shelved our books but didn’t sell them.  Remember, you don’t get the book back.  The cover is sent back and the book is destroyed.  Yes, this antiquated system sucks.

All the other crap

I’m an author.  I want to write.  I don’t want to spend my cherished writing time learning how to navigate Amazon’s self-publishing program, and Nook’s self-publishing program, and all the others.  I don’t want to pay substantive and copy-editors out of my own pocket.  I don’t want to seek out cover designers (although I admit that part might be fun.)  I don’t want to pay a bunch of money upfront to replace the work that publishers do.

If you self-publish, then you become the publisher as well as the author.  I asked myself: do I want to be a publisher? 
  
This was my decision, and you may choose a different one.  You may love being a publisher.  But I find it hard enough being an author.  Adding all those other necessary factors to the job just makes it seem overwhelming to me.  I may be a good writer.  But I have no experience as a publishing industry professional.  I have no expertise.  So I publish with the experts.

You may choose a different route.  Just be aware that when you self-publish, you become a publisher just as much as an author.  It’s all in how you want to spend your time.

Good luck on your publishing adventure, whichever way you choose to go!

That's The B-Team, a humorous heist crime book, on the shelf at Indigo/Chapters, in the photo above.  You can get it at B&N, Amazon and all the usual suspects. 

ON Amazon

Sunday, 7 September 2014

WRITING COMEDY – A Starter Kit from Bad Girl (Melodie Campbell)

“Is that a broadsword on your belt, or are you just glad to see me?”
<from Rowena Through the Wall>

I hope you smiled at that line.  I think it’s one of my best. My name is Melodie Campbell, and I write comedies.  (This is a self-help group, right?)  Sure I’d like to kick the habit and write a ‘real’ book with literary merit. <author grimaces here>

Okay, so that’s a lie.  Leave The Goddaughter’s Revenge behind?  Not write a sequel?  I’m starting to hyperventilate.  Actually, I love writing comedies.  It’s in my blood.

A GREEK MASK
Some people are born beautiful.  But most of us aren’t, and we look for ways to survive the slings and arrows of life.  Sometimes we choose to hide behind a mask.  That Greek Comedy mask was the one I picked way back.

COMEDY IS TRAGEDY BARELY AVERTED
Always remember this: Comedy has its root in tragedy. Making fun of our foibles is one way we cope.
As a means of self-preservation in the cruel world of teenagers, I looked for the ‘funny.’  More often than not, I made fun of myself.  This was easy to do.  I knew the target well and there was a wealth of material.  And it didn’t hurt anyone else, so people liked it.

When I left school and had a ‘real’ job, I started writing stand-up on the side.  I rarely delivered it – usually I wrote for others. That led to a regular newspaper humour column, and more.

So when it came to writing novels, I fell back into ‘safe mode.’  Write it funny. 

You can too.  Here’s a starter kit:

The rule of ‘WORST THING’
(aka: Never go easy on your protagonist.)

Comedy writers take a situation, and ask themselves ‘what’s the worst thing that could happen now?’  <that’s the tragedy angle> And then, ‘what’s the funniest?’

What’s the worst thing that could happen to The Goddaughter when she is reluctantly recruited to carry hot gemstones over the border in the heel of her shoe?  Predictable would be: she gets caught at customs.  But I don’t want predictable.  I want funny.

Instead, the shoes get stolen. By a complete amateur! It’s embarrassing, that’s what it is. How is she going to keep this from her new boyfriend Pete, who thinks she’s gone clean? And what the heck is she going to tell her uncle, the crime boss?

Nothing, of course.  She’s going to steal them back.  Or die trying.

And hopefully the audience will die laughing.

TIP 1 – Adding Comedy via your Plot

Now take your novel:  Create a confrontation for your protagonist.  What’s the worst thing that could happen to her?  Then ratchet it up: what’s the most embarrassing thing, from her point of view?

Alternate between worst and embarrassing.  This keeps your reader intrigued, and raises the stakes.  They don’t know whether her next encounter will be deadly or hilarious.

TIP 2 – Adding Comedy via the way you put together Words

Now let’s step it up.  Add wordplay. Have a member of the cast says funny or clever things.  It doesn’t have to be your protagonist.  Sometimes it is best to make this character a side-kick. Examples: surprise, unexpected, sarcasm, exaggeration, words with double meaning

                                                         i.     Surprise or unexpected:
“I had the flu once.  It was terrible.  I couldn’t eat a thing for three hours.”
<from Rowena and the Viking Warlord>
This works because we expect to hear something else at the end: “I couldn’t eat a thing for three days.”  Instead, we hear “three hours.”  This is an example of the surprise or unexpected, plus exaggeration, giving us a chuckle.  But wait a minute: this is also self-deprecating.  Three in one.

                                                        ii.     Example 2: Remember how this post started?
“Is that a broadsword on your belt, or are you just glad to see me?”
This is an example of wordplay that requires the reader to have some prior knowledge or education. We know the original May West line, where the gun substitutes for something else.  This exaggerates the gun into something bigger.  The reader feels clever for getting the joke.
So…do you really want to join me in this reckless trade? Read below.

THE TROUBLE WITH WRITING COMEDY 
When people ask what I write, I say ‘comedies.’  Then I give the genres (crime capers and time travel fantasy.)  My books are comedies first and foremost.  I look for plots that will lend themselves to laughs. 

This is different from authors who say they write humorous mysteries, for instance.  In this case, they would peg their books mysteries first.  The humour is secondary.

It’s tough writing comedy.  Here’s why:
1.      Everyone expects your next book to be just as funny or funnier than your last.
Example: Janet Evanovich.  Readers are complaining that her 20th Stephanie Plum book isn’t as funny as her earlier books.  They are giving it 2 and 3 stars.  Twenty books, people!  Think about that. I’m on my fourth book in two different comedy series, and I’m finding it tough to sustain the humour in book four.  Believe me, this woman is a master.

2.     When you write something that isn’t meant to be funny (or is mildly humorous but not comedy) people are disappointed.  But it’s not funny, is what I hear most.  Talk about type-casting.

3.     You will never be taken seriously for most awards.
Again, comedy – particularly in crime writing - is rarely taken seriously for awards.  This drives some writers nuts.  It seems to be endemic that books on the short lists are usually ones written with gravitas, on subjects that are ‘important’ or grim. To quote a colleague, “It seems to me, the more grim a book, the more merit is ascribed to it.”  Blame the Scandinavians.

4.     It’s hard to get published.
This is lamentable.  It’s hard to get a publisher for comedic novels. Many seem to be afraid of funny books.  Again, it may be the part about not being a ‘serious’ book, and thus not seen as an ‘important’ book.

Film suffers from a similar stigma.  How often these days do comedies win Oscars?

5.     The expectations are HUGE.
Not only will you be expected to produce a book with great plot, characterization, viewpoint, motivation and dialogue like all the other writers, but along with that you also have to make people laugh consistently throughout it.  It’s like there is a sixth requirement for you, an additional test that others don’t need to pass.  And you don’t get any more money for it.

Sucks, right? So why do it?
1.     Because good comedy is magic to some readers.  They love you for making them smile. 
2.     Because not everyone can do it. There is talent as well as craft.
3.     Because making people laugh is what you do.  You’ve done it since you were in high school.  Most of us who write comedy were the class clowns.
4.     Because you’re mad, like I am. Well at least, madcap.

We do it for readers. Hopefully, we’ve lightened their day with laughter, and in some cases given them a story they can escape into, over and over again.

Postscript:  THE GODDAUGHTER’S REVENGE broke the rule and won both the 2014 Derringer and the 2014 Arthur Ellis award for best crime novella this year!  Author is still in shock.

Sunday, 29 September 2013

The Story behind ROWENA THROUGH THE WALL - Amazon TOP 100 Bestseller!

Many people have asked me how a former comedy writer and award-winning mystery author ended up writing the Rowena fantasy series. 
Yes, it shocked even me.  Hold on, because this story isn't funny.
It was four years ago.  My mother had been admitted to the hospital for the 38th time, dying. This time, she was in for seven weeks, and I was there for most of it.  As the news got worse and worse, I remember looking at that hospital wall and thinking, "If I could walk through that wall into another world right now, I would."
That night, I went home and started writing Rowena Through the Wall.
I took notebooks to the hospital the next day.  And the next.  I wrote in a fever for weeks, to escape.  At night, I would type the transcripts into a manuscript.
Yes, fantasy.  And I was a writer with a rep in a different genre.
On Sept. 28, my mother's birthday, ROWENA THROUGH THE WALL made the Amazon Top 100 Bestseller list (all books.)  She is no longer here, but I could swear Mom is on my shoulder right now, cheering and laughing.

Latest review of ROWENA THROUGH THE WALL
5.0 out of 5 stars An excellent romp through time!, September 28, 2013
Amazon Verified Purchase(What's this?)
This review is from: Rowena Through the Wall: Expanded Edition (Land's End - book #1) (Kindle Edition)
Time travel...what is not to love? I started this book this morning and couldn't put it down. When it ended, I almost cried out NOOOO! The minute I started reading, I was immediately drawn to Rowena and where her travels would take her. I laughed, cried, cheered her on all the way to the last page. I certainly don't want to give away any spoilers but I will admit it was the best $.99 I've ever spent. Sequel? Yes there is and now I'll order that one too since I'll certainly pay the price to pick up more of this incredible story set in Land's End. Loved this book and I'm sure you will too!

Saturday, 31 August 2013

Meet Author Dora Machado, author of the award-winning STONEWISER Series!




Dear Romantic Fantasy Fans,

For the first time ever and for a limited time, Dora Machado's entire Stonewiser award-winning fantasy trilogy, published by Mermaid Press, is available FREE on Kindle.

WHEN?  From Saturday August 31 to Monday September 2
To get your free download NOW from the Kindle store, click on each title below. It’s as simple as that!

Winner of the 2009 Benjamin Franklin Award for best Debut Novel

Finalist for 2009 Foreword Book of the Year Award for SFF

Between truth and deception, between justice and abuse, a stonewiser stands alone with the stones. Or so begins the stonewiser's oath. But what happens when a rebellious stonewiser discovers that lies have tainted the stone tales?

In a world devastated by the rot's widespread destruction, only the tales preserved in the stones can uphold the truth and defend the Goodlands. In this world, stone truth is valued above anyone's word, and stonewisers are the only ones capable of retrieving the tales from the stones, the only link between past and present, order and chaos.

Sariah is the most gifted stonewiser of her generation, but her talent does not atone for her shortcomings. A survivor of the Guild's brutal training, she is curious, willful and disobedient. Yet not even Sariah is prepared for what she finds when she steals into the Guild's Sacred Vaults: A mayhem of lies and intrigues that shatters her world.

Hunted, persecuted, and betrayed, Sariah must make an unlikely alliance with Kael, a cynical rebel leader pledged to a mysterious quest of his own. The fate of their dying world depends on their courage to overcome centuries of hatred and distrust. But not even the grueling journey has prepared them for what they are about to discover. Because nothing is really as it seems, and the truth is more intricate and devastating than they ever suspected.... 
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Winner of the 2010 Independent Publisher (IPPY) Gold Medal for SF/F

Finalist for the 2010 ForeWord Book of the Year Award for SF/F

Sariah's reward for revealing the stone truth: a death sentence.
The executioners have arrived and Sariah, the most powerful and controversial stonewiser of her generation, has been judged and condemned to death. For the last few months, Sariah has been hiding in the Rotten Domain, trying to find the elusive tale capable of uniting a divided people teetering on the brink of a catastrophic war. As she is dragged to the nets, where an eel rave has been stirred to maximize her execution's gruesome spectacle, Sariah knows she cannot escape her sentence. She is guilty of the crimes for which she's been condemned and no one, not even Kael, the Domain's foremost rebel leader, can save her 
from the executioners' righteous justice.

But Kael is more than just a formidable warrior; he is also a cunning strategist and Sariah's steadfast lover. Risking all he has, he bargains with the greedy executioners, bribing them into delaying Sariah's execution, buying her precious time and a last chance to realize the mysterious legacy that the stones have imposed on her. The agreement is hardly a reprieve. It encourages a mob to hunt Sariah for ransom, banishing her from the Rotten Domain and imposing heavy fines on anyone who tries to help her. Worse, it requires her to wear an irremovable, mysterious bracelet. If she doesn't return to the executioners with the tale in hand when the allotted time expires, Kael and his kin will be ruined and the bracelet will kill her.

Hunted by the executioners, the Guild and the Shield, Sariah and Kael embark on a desperate search. Their journey will take them to the depths of the Rotten Domain, where Sariah must wise a guiding beam out of the wild tale stored in a stone-carved game. The beam will lead them through the warring Goodlands—where the rot is on the move—to the land beyond the Bastions, where a zealous people guard an ancient stone that could hold the key to their search. Along the way, Sariah and Kael must overcome deadly traps, torture, heartbreak, agonizing defeat and devastating losses in a desperate attempt to avoid war and answer the mysterious call of the stone. 
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Winner of the 2012 Independent Publisher (IPPY) Silver Medal for SF/F

Finalist for the 2012 ForeWord Book of the Year Award for SF/F

"Do you know why the stones grieve?" the woman said to Kael. "Not for a soul, I'll tell you that much. The stones don't grieve for the passing of a lowly woman or the madness of a smitten man. They don't mourn death, or lost love, or broken dreams, or loneliness or despair. Yet you will make them wail. For you, the stones will weep."

In their most perilous adventure yet, Sariah, the rogue stonewiser who stunned the world by discovering lies in the stones and defying the all-powerful Guild, and Kael, the rebel leader who against all odds loves her, must find a stolen child, the only one capable of setting rule upon chaos, preserving the future of stonewising, and defeating the rot ravaging the land. The stakes couldn't be higher. The coveted child they seek is said to be an abomination. He is also their son.

It's a daunting challenge. Their child is in the hands of a deceitful enemy who has fled to a mysterious ruler, a rival deity with unfathomable powers pledged to destroy the goddess and eradicate stonewising from the world. Worse yet, the land is engulfed in strife, the rot is spreading faster than ever, and Kael is haunted by a malevolent curse compelling him to kill the woman he loves.

In a dangerous journey fraught with shocking twists, Sariah and Kael must do more than defeat their foes, unravel the mystifying forces vying to control their lives, and discover the mysteries of ages past. They must challenge the stones, defy the goddess and confront their cursed fates. Because only by embracing their destinies do they stand a chance to save their child and their world.

For those of you audio book lovers, the first book in the series, Stonewiser: The Heart of the Stone is now available from Audible. Be sure to check it out!
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About Dora Machado
Dora Machado is the award winning author of the Stonewiser series and her newest novel, The Curse Giver, from Twilight Times Books, available July 2013. She is one of the few Latinas exploring her heritage and her world through the epic fantasy genre today. She holds a master's degree in business administration and graduated Phi Beta Kappa from Georgetown University. She was born in Michigan and grew up in the Dominican Republic, where she developed a bilingual fascination for writing, a love for history, and a taste for Merengue.

After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She enjoys long walks, traveling, and connecting with the amazing readers who share in her mind's adventures. She lives in Florida with her indulging husband and three very opinionated cats. Visit her at www.DoraMachado.com.