Homeless. Not me, luckily. I still have four walls and a roof plus dog
on the couch.
But my kick-ass story “The
Dame Was Trouble,” that had a wonderful future and clear economic security is
now homeless.
The
genres are tricky things. If I write a
mystery and set it in the past, it’s considered a historical mystery. So, if we are classifying it, we would call it
a Mystery first, and then Historical, as a subgenre of mystery genre. Everyone’s happy.
But
what if I set it in the future?
This
is exactly what has happened to me recently.
For the very first time, I was asked to write a crime story for an
anthology, without going through the usual submission process. The anthology had the delightful
premise: anything goes. That is, I could write any subgenre, and set
it anywhere, anytime. *rubs hands in
delight*
A
particular story had been percolating in my brain for weeks, pounding to get
out. My friends and readers know that I
like writing from the other side of the crime spectrum. In The Goddaughter series, I write from the
point of view of a mob Goddaughter who really doesn’t want to be one, but keeps
having to pull off heists to bail out her family. The books are fun, and weirdly, justice is
done by the end, regardless of her family connections.
So
this new story was going to feature a kick-ass female marshal from the witness
protection program. Her job is to
arrange the ‘hide’ after someone has testified in court. Thing is, the transportation is by space
travel, because the plot is set far in the future.
I
sent it to the anthology editors. They
loved it. One of my best twists ever,
they said. They liked the fact that it
was hard-edged – unusual for me. I
breathed a sigh of relief. And then two
months later, they came back. The
publisher was having second thoughts. He
thought the science fiction setting would not be a good fit for a mystery
anthology. *author reaches for gun*
So
they asked if they could reprint one of my award-winning stories instead. I gave them a favourite (Hook, Line and
Sinker) that was also hard-edged. This story shortlisted along with one of Margaret Atwood's for a major prize (Atwood won.) It
would have a second life, which is always nice.
Meanwhile,
I had this story on my hands, one that everyone loved, written especially for
an anthology, that was now homeless.
*pass the scotch*
This
was the time of Bouchercon 2017 in Toronto.
I was hanging with the AHMM gang, who were recording me reading my own
work, Santa Baby, for a podcast to go up on their site. (It’s there now *does happy dance*) So I asked if they would be interested in
reading it.
Sure,
was the answer. Sometimes they publish
stories set in the near future. I didn’t
think this one would qualify. I was
right.
They
didn’t take it. But they did suggest
sending it to their sister Dell mag, Asimov’s Science Fiction Mag. So I did.
I’m waiting to hear.
My
point is this: Usually, we classify a
story as a mystery if the plot is a mystery.
The setting comes second. A
historical mystery is still classified as a mystery. A mystery with a strong romance element is
still a mystery if the plot is a mystery plot.
But in the case of a future setting, it doesn’t matter what the plot
is. The setting is key to the
classification.
I
probed a bit among my author contacts.
One said that he had written a series billed as sci-fi mystery, and this
was his baffling and witty conclusion:
he managed to alienate the mystery readers, and confuse the sci-fi
readers. Sales were a lot better when
they reclassified the thing as sci-fi only
So
to answer that initial question: When Is
a Mystery not a Mystery? When it’s set
in the future. *swigs from bottle*
Final thought: I hope they have scotch in the future. (Authors' milk. You read it here first.)