TORONTO INTERNATIONAL FESTIVAL OF AUTHORS
Harbourfront Centre, Toronto, June 4 2023
(note to self: find a bra with winches)
TORONTO INTERNATIONAL FESTIVAL OF AUTHORS
Harbourfront Centre, Toronto, June 4 2023
(note to self: find a bra with winches)
Ah, the timeless question. Where do you get your ideas?
I think it was Stephen King who talked about a little mail-order store in small town America...
I've never been able to find that store myself. Stephen keeps it a close secret (I hope you're smiling.)
But
I had reason to experience that dilemma about two years ago, a year
into the pandemic, and a year after my husband David died.
Damn that covid, and what it's done to publishing. When Orca Books told me that they were capping the line that carried my Goddaughter series (translation: still selling the books in the line, but closing it to future books, at least for now) I was in a tight spot.
What to
write next? I'd had 10 contracts in a row from Orca! That series
garnered three major awards! How could I leave it behind?
Put another way: what the poop was I going to write next?
The Goddaughter series featured a present day mob goddaughter who didn't want to be one. Gina Gallo had a beloved fiance who thought she had gone straight. But of course, in each book she would get blackmailed into helping the family pull off heists or capers that would inevitably go wrong. It allowed for a lot of madcap comedy.
Some would say I was a natural to write a series about a mob goddaughter (we'll just leave it at that.) And I liked the serious theme behind the comedy: You're supposed to love and support your family. But what if your family is this one?
Issues of grey have always
interested me. We want things to be black and white in life, but quite
often, they are more complex than that. I like exploring justice
outside of the law in my novels. But I digress...
The Goddaughter books brought me to the attention of Don Graves, a well-known newspaper book reviewer up here. He commiserated with the end of the Goddaughter series, and immediately suggested the following:
"Why don't you write about her grandmother? Prohibition days, when the mob was becoming big in Hamilton."
The idea burned in me. Except it wouldn't be her grandmother. (Don is older than me.) It would be her great-grandmother! Coming to age in the time of Rocco Perri and Bessie Starkman...
I settled on 1928,
because that was the year women finally got the vote in England. The
status of women features very much in this novel. The time frame also
allowed me to use the aftermath of WW1, including lives of men like my own
grandfather, wounded by gas, and shell-shocked. I would make the
protagonist a young widow, because I knew grief - oh man, did I know
grief. My own husband had died way before his time, the year before. I
could write convincingly about that.
But I would also use bathos to lighten the tale. (I seem incapable of writing anything straight.) The comedy of the Goddaughter books finds its way into The Merry Widow Murders, and so far, has generated smiles for prepub reviewers.
The book took me over a year to write, working full time on it. It helped me to channel my grief. It forced me to step out of my comfort zone and write something with considerable depth.
And it taught me that - even widowed - I wasn't entirely alone. That ideas are beautiful things that can come from friendship, and the good hearts of readers and reviewers you are fortunate to meet along your publishing journey.
Thank you, Don!
1928, At Sea
When an inconvenient body shows up in her stateroom,
Lady Revelstoke and her pickpocket-turned-maid Elf know how to make it
disappear--and find the killer.
"Miss Fisher meets Hitchcock's The Trouble with Harry. The perfect escapist read!" Anne R. Allen
Book 17, and it never gets old.
Launch date May 13, launch events at MOTIVE Crime and Mystery Festival in Toronto, June 2-4
Thank you, Cormorant!
On Sleuthsayers today with the following post, repeated here for my regular readers:
"I wanted to start a gang, but it turned into a book club..."
I don't know the kindred spirit who first said the above quote, and I've probably butchered it somewhat, but...Guilty as charged! Which is saying a lot, because usually I write about the mob...
BOOK CLUBS ROCK...
I love my current book club. We don't do the 'buy one book and everybody read it' thing. Instead, we have a list of categories (30 in all) and are expected to read one book that satisfies each criteria in a calendar year. We can each read a different book that fits the category. We also give each other two free outs, meaning you can skip two categories if you absolutely hate them. Bless those outs.
Love this club,
because I am pushed into reading things I wouldn't normally pick up.
Other genres, past classics, even cookbooks. Plus they come with
recommendations from people I trust. We all read more than 30 books a
year (I'm close to 100.) So there's still lots of time to read new
releases from favourite authors beyond those 30 on the book club list.
That said, I'm a crime writer and crime reader. Whodunits are my trade, and I shy away from anything that sniffs of Chicklit. So you can imagine my surprise when I am pressured to read a book that reaches me in a way I didn't expect. "What Alice Forgot" by Liane Moriarty, is a perfect example, and I'm exceedingly grateful. That book made me think about my own past and future, at a time when I had just lost my first husband to cancer (decades earlier than it should have been.)
And let me also say, that I am thrilled that people are reading. If
they want to read things I don't find pleasure reading, that's
terrific! Please, please keep reading, young people. It doesn't matter
what books you cherish, as far as I'm concerned.
Still, there's the guilt. Yes, I feel guilt. I should like reading everything. I should at least recognize that reading diverse books is 'good for me,' and thus be an enthusiastic participant.
Confessions, confessions. What things have I learned about myself, through that seemingly innocent little social activity?
Three things come to mind. Let me take a moral inventory, and feel free
to cast aspersions on my virtue. It wouldn't be the first time (wink).
1. Non-fiction sucks.
University type here. Prof at college for 30 years. Read a lot of non-fiction in my time, in order to be able to teach the stuff. Guilty secret? For me, reading non-fiction is work. I don't want to work in my off-time.
I know. I can hear the collective gasps from here. Non-fiction is good for you! It makes you smarter!
I
doubt very much if anything at this stage could make me smarter (much
as that might be desirable for all concerned...) It might make me more
knowledgeable, that I accept. Do I care? Not much. My brain is
precariously close to full now, and putting more into it threatens to
dump other things already lodged there out my ears. (Medical fact. I
read it online.)
2. And on that note, I rarely enjoy reading memoirs and biographies.
Our
book club requires us to read one of the above, once a year. It's not
fun for me. I really don't like spending my time reading about
other people's lives, especially the white-washed
versions. Ditto, the poor me versions.
Why? I read to escape reality. Which brings me to the final point (some of you will gasp.)
3. I don't care much for fiction written from (many) multiple points of view.
There are some extremely popular books out now that are written from several points of view (I'm thinking The Thursday Murder Club and like.) I like humour and crime together, so I gave it a try. And I can see why people would like it. I thought some parts of it were great fun. Thing is, I kept putting it down. I could read a chapter and put it down. Pick it up a few days later and read another two scenes. Then put down the book and forget about it.
What this tells me: For me, it wasn't a compelling read. I didn't care enough about the protagonist to keep reading to find out what would happen. Wait a minute - to tell the truth, I couldn't even tell who the protagonist was!
And that's the key. The protagonist. God Bless
Book Club. I've learned a lot about myself and what I treasure
reading. To wit:
I want to become the protagonist when I read a book.
(Please let me know in the comments below if you relate to this.)
I want to slip into the skin of the main character and have a rollicking adventure. I want things to happen. I want there to be a satisfactory conclusion to the adventure, so I close the book with a smile on my face.
On the memoir front: For the record and just to be fair, I have no desire to write a memoir myself. Have the general public read all about my misspent youth and totally embarrassing past mistakes? Gulp. Would rather go public on my bra size (weight is off the table.) In fact, I am puzzled that others do want to share their dirty linen in public.
Mine is stuffed into drawers that hopefully my kids will never open.
Melodie Campbell writes fiction (swear to God it's fiction!) from the shores of Lake Ontario. Book 17 is now available for preorder. On AMAZON
The Crime Writers of Canada went loco, and asked me to emcee the Arthur Ellis Awards this year. Somehow they learned I might have done standup in the past. Or maybe not, because they even paid me. It may be more than my royalties this quarter.
I dug back into my Sleuthsayer files to decide what might appeal to a hardened (re soused) group of crime writers en mass, with an open bar. This is what resulted, and I’m happy to say the applause was generous. You may remember some of this.
Arts and Letters Club, Toronto, May 23, 2019, 9PM
Hello! Mike said I could do a few minutes of comedy this evening as long as I apologized in advance.
My name is Melodie Campbell, and it’s my pleasure to welcome here tonight crime writers, friends and family of crime writers, sponsors, agents, and any publishers still left out there.
Tonight is that special night when the crime writing community in Canada meets to do that one thing we look forward to all year: which is get together and bitch about the industry.
Many of you knew my late husband Dave. He was a great supporter of my writing, and of our crime community in general. But many times, he could be seen wandering through the house, shaking his head and muttering “Never Marry a crime writer.”
I’ve decided, here tonight, to list the reasons why.
Everybody knows they shouldn’t marry a crime writer. Mothers the world over have made that obvious: “For Gawd Sake, never marry a marauding barbarian, a sex pervert, or a crime writer.” (Or a politician, but that is my own personal bias. Ignore me.)
But for some reason, lots of innocent, unsuspecting people marry authors every year. Obviously, they don’t know about the “Zone.” (More obviously, they didn’t have the right mothers.)
Never mind: I’m here to help.
I think it pays to understand that crime writers aren’t normal humans: they write about people who don’t exist and things that never happened. Their brains work differently. They have different needs. And in some cases, they live on different planets (at least, my characters do, which is kind of the same thing.)
Thing is, authors are sensitive creatures. This can be attractive to some humans who think that they can ‘help’ poor writer-beings (in the way that one might rescue a stray dog.) True, we are easy to feed and grateful for attention. We respond well to praise. And we can be adorable. So there are many reasons you might wish to marry a crime writer, but here are 10 reasons why you shouldn’t:
The basics:
1 Crime Writers are hoarders. Your house will be filled with books. And more books. It will be a shrine to books. The lost library of Alexandria will pale in comparison.
2 Crime Writers are addicts. We mainline coffee. We’ve also been known to drink other beverages in copious quantities, especially when together with other writers in places called ‘bars.’
3 Authors are weird. Crime Writers are particularly weird (as weird as horror writers.) You will hear all sorts of gruesome research details at the dinner table. When your parents are there. Maybe even with your parents in mind.
4 Crime Writers are deaf. We can’t hear you when we are in our offices, pounding away at keyboards. Even if you come in the room. Even if you yell in our ears.
5 Crime Writers are single-minded. We think that spending perfectly good vacation money to go to conferences like Bouchercon is a really good idea. Especially if there are other writers there with whom to drink beverages.
And here are some worse reasons why you shouldn’t marry a crime writer:
6 It may occasionally seem that we’d rather spend time with our characters than our family or friends.
7 We rarely sleep through the night. (It’s hard to sleep when you’re typing. Also, all that coffee...)
8 Our Google Search history is a thing of nightmares. (Don’t look. No really – don’t. And I’m not just talking about ways to avoid taxes… although if anyone knows a really fool-proof scheme, please email me.)
And the really bad reasons:
9 If we could have affairs with our beloved protagonists, we probably would. (No! Did I say that out loud?)
10 And lastly, We know at least twenty ways to kill you and not get caught.
RE that last one: If you are married to a crime writer, don’t worry over-much. Usually crime writers do not kill the hand that feeds them. Most likely, we are way too focused on figuring out ways to kill our agents, editors, and particularly, reviewers.